Each chapter of this book was written to be an essay complete unto itself, and so the reader is invited to skip around if he or she so pleases. Yet, I have always had in mind the themes of how the idea of death is related to the idea of literary art, and, more generally, how human beings resist or accommodate themselves to their own mortality.
These central themes have provided the book with its unity and structure which the reader may wish to consider. A serious artist can hope for nothing more than to be read with care for detail and nuance, as well as for the sweep of passion and psychological or philosophical meaning. This book is my partial attempt to give thanks to the master artists whose work is here examined by reading them with sustained attention.
I take their works to be their best inheritance.
What I have learned about the demanding craft of poetry over the years, I have learned mainly from them; and what I have taken to heart about cherishing the little life we are given to live, that, too, has been their gift. As Stevens said: "In the last analysis, [poetry has] something to do with our self-preservation. An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while. No cover image.
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Robert Pack is a renowned lecturer and author in the United States as well as in the entire globe. He was born in in New York City. He attended his tertiary education at Dunmore College and Columbia University. He was a lecturer in many universities including the University of Montana. This is a poem that is entailed of various writing techniques which make it interesting as well as meaningful. The poem has been constructed through excellent writing elements for an extremely meaningful platform.
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Submit Your Paper. Short on a deadline? Don't waste time.Robert Pack. Courtesy University Press of New England. Robert Pack born May 19, is an American poetliterary criticand academic.
Pack is the author of 22 books of poetry and criticism. Pack was born in New York City. He received a B. Pack was awarded a Fulbright Fellowship to Italy to translate poetry in Upon his return, he began teaching at Barnard College. In Pack was invited to develop a new program in creative writing at Middlebury College. He taught at Middlebury College for 34 years.
He was awarded the Abernethy Chair of American Literature and later a special College chair that allowed him to teach across the curriculum.
In addition, he served as director of the Bread Loaf Writers' Conference from to After retiring from Middlebury inPack and his wife Patty moved to Montana to be nearer to their 3 children, and Pack began teaching, as distinguished senior professor, in the Davidson Honors College at the University of MontanaMissoula. Pack has been called by critic Harold Bloom "a humane and eloquent poet who follows Robert Frost and Edwin Arlington Robinson in a major American tradition. Except where noted, bibliographical information courtesy WorldCat.
This wiki All wikis. Sign In Don't have an account? Start a Wiki. Web, Sep. VIAF : Categories :. Cancel Save. Drake 2 Welcome. Universal Conquest Wiki. This page uses Creative Commons Licensed content from Wikipedia. Authority control.Pack received a Fulbright to Italy in the late s; upon his return, he taught at Barnard College and then became director of the creative writing program at Middlebury College.
His poetry takes inspiration from the New England landscape as well as science, memory, and the English literary tradition. Inhe became director of the Bread Loaf Writers Conference, a position he held until As a fellow with the Woodrow Wilson National Fellowship Foundation for many years, Pack accepted various short teaching engagements at colleges across the country.
Prose Home Harriet Blog. Visit Home Events Exhibitions Library. Newsletter Subscribe Give. Poetry Foundation. Back to Previous. Robert Pack. Poems by Robert Pack. Related Content. Related Collections Poetry and the Environment. More About this Poet. Region: U.
Literary Interpretation In Robert Pack's To An Empty Page
Poems by This Poet Related. Appeared in Poetry Magazine. Big Bang. Clayfeld's Microscope.
The Dead King. The Kiss. Making Her Will. The Meeting. To the Muse. Together We Lay Down. Show More. Poetry and the Environment. Recent poetic approaches to the natural world and ecology. Read More. See a problem on this page?Life Story. After a long illness, Carl Pack died at the age of forty-six when his son Robert was sixteen. Two deep friendships that began in fifth grade with Richard Rubin and Woody Klein, have continued to the present.
Rubin became a teacher of political science and a philanthropist, and Klein became a journalist. Pack believes there is an instinctive connection between playing sports and writing poetry, in which the imagination must display its prowess within a set of formal rules.
Pack was twenty-one when they married; they divorced eight years later. When Frost visited the college to give talks, he and Pack would take long walks, discussing the craft of poetry. While attending graduate school, Pack taught for two years at The New School for Social Research, an experience that solidified his desire to become a teacher himself. In Pack was awarded a Fulbright Fellowship to Italy to translate poetry. During his year abroad, he traveled extensively, attending opera performances.
Later he would publish translations of the Mozart librettos, and the figure of Mozart -- along with other beloved figures, such as Darwin, Freud, and Einstein —- appear throughout his poetry. After returning to America Pack was hired at Barnard College where he taught for the next seven years, sharing an office with Marcus Klein, a critic and historian of American literature.
He and Klein retained their close ties even after both went on to teach at other institutions. And so the Packs, along with their one-year-old son, moved to Middlebury, where they built a house in the countryside.
Inwhile teaching a course in English poetry, Pack read an interpretive book about Gerard Manley Hopkins that so impressed him with its insights that he called its author, the biographer and poet Paul Mariani, on the phone and invited him to lecture at Middlebury. The two poets stayed up talking about their favorite poems throughout the night. From that time on, Pack and Mariani have exchanged poems with suggestions and criticisms.
Each of these poems is spoken by different characters under particular conditions and circumstances. In most of his subsequent books, Pack has included poems with narrative structures. He was awarded the Abernethy chair of American Literature, and later a special College chair that allowed him to teach anywhere in the curriculum, including the sciences: big bang theory, Darwinian evolution, and Freudian psychoanalysis.
During this period, Pack also taught at the Bread Loaf Writers Conference, where he was appointed Director inserving in that position for the next twenty-two years. His tenure was distinguished by the outstanding writers he invited to serve on the teaching staff, including the novelists John Gardner and John Irving, and the poets Howard Nemerov, Donald Justice, and Mark Strand.
As director, Pack was supported through these years by his assistant director, the philosopher Stanley Bates. Packs years at Middlebury College were replete with probing conversations with his colleagues John Elder, the environmentalist, and Jay Parini, prolific novelist. For many years the Woodrow Wilson National Fellowship Foundation sent Pack to various colleges throughout the country on teaching stints.
Erik, now a carpenter and architect, built his parents a spacious log home with a spectacular view of the Mission Mountain range. Since Pack still enjoyed preparing new materials and challenging young minds, he contracted to teach in the University of Montana Honors College as Distinguished Senior Professor.He worries about his future and what may happen to him.
As he asks questions into the emptiness, he finds answers in the echoes of his voice. Robert Pack uses literary devices such as rhetorical questions, selection of detail, metaphors, and juxtaposition to construct the meaning of his poem. Beginning in the first quatrain, the voice is very anxious and uncertain about the future of his life.
Through rhetorical questions, he attempts to gain clarity and comfort in the emptiness and finds some answers in the echo he hears. By writing his poem as an echo sonnet, Pack further constructs the meaning of his work. The short but beautiful life of the leaf is a metaphor for what life should be - beautiful regardless of the time given. Realizing that nature is beautiful in deathhe now understands that life is a beautiful journey leading up to death that should be cherished in all of its beauty.
Waiting for death is not so bad when a beautiful life surrounded by joyful experiences is so readily available to all that are willing to think positively. Regardless of the beauty that can come with life, it can seem to become a burden that people suffer through until death. In contrast, the worst enemy of the voice is himself - his own uncertainty and worry have caused all of his pain.
All of the rhetorical questions that he asks display the extent of his worry about the unknown future, but his subconscious begins to soothe his worries and comfort him with the.
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